dc.contributor.author |
Rosslee, Andrew Quentin |
|
dc.contributor.other |
Bloemfontein: Central University of Technology, Free State |
|
dc.date.accessioned |
2017-04-21T06:20:32Z |
|
dc.date.available |
2017-04-21T06:20:32Z |
|
dc.date.issued |
1992 |
|
dc.identifier.uri |
http://hdl.handle.net/11462/903 |
|
dc.description |
Thesis |
en_US |
dc.description.abstract |
As a photographic subject, architecture has both sociological and artistic
interest. In its simplest form it can reveal a considerable amount about a
culture and on a grandeur level architecture can be an expression of the
aesthetic. The scope for interpretation, however, is rather more limited tan in
most areas of photography. As with any large-scale subject, such as
landscapes, the photographer has very few possibilities for making
alterations. |
en_US |
dc.format.extent |
Application/PDF |
|
dc.language.iso |
en_US |
en_US |
dc.publisher |
Bloemfontein: Central University of Technology, Free State |
|
dc.subject |
Photographs |
en_US |
dc.subject |
Architectural photography |
en_US |
dc.title |
Architecture photography |
en_US |
dc.type |
Thesis |
en_US |
dc.rights.holder |
Central University of Technology, Free State |
|