dc.contributor.author |
Haasbroek, Francois |
|
dc.contributor.other |
Bloemfontein: Central University of Technology, Free State |
|
dc.date.accessioned |
2017-04-18T11:01:32Z |
|
dc.date.available |
2017-04-18T11:01:32Z |
|
dc.date.issued |
1992 |
|
dc.identifier.uri |
http://hdl.handle.net/11462/898 |
|
dc.description |
Thesis |
en_US |
dc.description.abstract |
Although peformance as a medium of artistic expression only
became accepted in the 1970's. Many different ideological theoretical opinions on art did exist in the past. Specific ideas on art were usually linked to a s pecific era. Eventually each eras ideas and s
specifically innovations had an influence on other artistic developments. |
en_US |
dc.format.extent |
Application/PDF |
|
dc.language.iso |
en_US |
en_US |
dc.publisher |
Bloemfontein: Central University of Technology, Free State |
|
dc.subject |
Stage photography |
en_US |
dc.title |
Live performance photography |
en_US |
dc.type |
Thesis |
en_US |
dc.rights.holder |
Central University of Technology, Free State |
|